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The Fringe of nothing
On the occasion of its 40th anniversary, Melbourne Fringe Festival's CEO looks at the future of fringe ...and what needs…
How to get known as a contemporary composer
ArtsHub asked our leading composers and musical mentors for their advice on getting known, and getting ahead.
A rethink of how 'Boomers' impact the arts
Why non-city based Baby Boomers offer the best opportunity for growth across the arts. We look at new findings.
Opportunities and awards
Expressions of interest for 2023 Shepparton Festival, Hazel Rowley and Robert Stigwood Fellowships, National Capital Art Prize winners and more.
First documented work of Rover Thomas unearthed
Once pinned to a wall in the Wungkul community store, this rare Rover Thomas find offers a glimpse into the…
Theatre review: Fantastic Mr Fox
Fantastic Mr Fox alright.
Dance review: SAVAGE
Artistic Director Daniel Riley's first venture for Australian Dance Theatre is an act of urgent theatre.
Who gets to make theatre in this country?
In a new show, Mish Grigor and Zoey Dawson confront the silent barriers signifying ‘who’s who’ in the arts.
Opera review: Siegfried in Concert
The third opera in Richard Wagner’s Ring Cycle stripped back to its musical core.
New Code of Practice finally tabled
After three years of consultation, NAVA has released a new Code of Practice for Visual, Craft and Design practitioners.