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Rumbleskin. Image: Kimberley Summer.
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Rumbleskin review: Australian stage show meets American gothic

Writer Ames May Nunn and director Alonso Pineda have crafted a modern allegory in Rumbleskin, at fortyfivedownstairs.

The outside of a modern looking theatre at dusk. Canberra Theatre Centre.
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‘More than half the town’: Canberra Theatre Centre at 60

For 60 years, Canberra Theatre Centre has been more than just a venue – it’s been a part of people’s…

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Theatre review: Breaking the Castle, Frankston Arts Centre and more

This extraordinary piece of writing is brought vividly to life in a one-man show by and starring Peter Cook.

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Performance review: The Act, RISING, Chunky Move Studios

A movement/theatre hybrid delving into the parallels and disconnections between dance and sex work.

Joe Paradise Lui, a Chinese-Australian man with long red-streaked back hair and wearing glasses, stands with his hands raised in front of a representation of Guanyin, the Chinese bodhisattva or goddess of Mercy and Compassion, who is played by the Chinese-Australian actor and theatre-maker Merlynn Tong. She has short black hair and sits with her hands raised, in a blue prop representing Guanyin and her many arms and hands.
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Theatre review: Legends (of the Golden Arches), RISING, The Lawler, Southbank Theatre

A wry, witty and self-aware theatrical journey through Chinese Hell, presented by the MTC for RISING.

A fair-skinned woman with wavy blonde hair bites one nail as she contemplates a budding tree branch. The scene is lit with a soft, warm light. A scene from the play 'Ripening' by Citizen Theatre.
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Theatre review: Ripening, Gasworks Arts Park

A heartfelt look at the intense experience of navigating pregnancy and childbirth in today’s Western medical system.

Two female road workers dressed in white helmets and orange hi-vis jackets sit in folding chairs. They nurse cups of tea and a Stop sign is drapped across their laps. A traffic cone is visible behind them.
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Theatre review: How To Hold A Sign, The Butterfly Club

An insightful and accessible exploration of the challenges faced by women working in the construction industry.

Two women in white Regency-style dresses. A promotional image for the production 'Austen in Therapy'.
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Theatre review: Austen in Therapy, Abbotsford Convent

Jane Austen lovers will find this enjoyable if they can look past the lacklustre production.

Two men sitting on a flight of white stairs. They are wearing shorts and white suit jackets adorned with palm trees. One of pair has a blank white mask, hat and sunglasses; the man to his left was a tanned face and a moustache.
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Theatre review: The Anarchy (1138-53), KXT on Broadway

An experimental and inventive production that will provoke and pique curiosity.

Three women wearing aprons stand in the middle of a kitchen making passata. There are boxes and trays of tomatoes around. A scene from Brink Productions/STCSA's 'Looking for Alibrandi'.
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Theatre review: Looking for Alibrandi, Adelaide Festival Centre

Melina Marchetta’s much loved book about migrant families in Australia is brought to life on stage.

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