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The Hate Race. A woman in blue is standing on a stage marked with yellow and brown wavy patterns. She next to a bicycle and there is a large half circle light shape on the back wall.
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Theatre review: The Hate Race, Malthouse Theatre

Maxine Beneba Clarke's memoir receives a poignant and powerful adaptation.

Daylight Connection. Image is an Aboriginal man flanked by two Aboriginal women whoh each have a hand on his shoulder. All are wearing grey T shirts.
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Theatre review: Whose gonna love ‘em? I am that i AM and Chase, Malthouse Theatre

First Nations Theatre collective A Daylight Connection presents a double bill that provokes, examines and entertains.

Hour of the Wolf. Image shows the back of a silhouetted wolf figure and a man with his back to the wall brandishing a sharp object at it in fear.
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Performance review: Hour of the Wolf, Malthouse

This choose-your-own adventure (again) is the Malthouse's latest immersive production.

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Dance review: 4/4, Merlyn Theatre

Embodied, rigorous and sensorially spectacular, Chunky Move’s latest dance work will linger long past the final beat.

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Theatre review: Telethon Kid, Malthouse Theatre

The moral of ‘Telethon Kid’ hangs on a precarious through line that is tarnished in this make-believe world.

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Theatre review: Loaded, Malthouse Theatre

A freewheeling, caustic monologue performed with feverish intensity by the spellbinding Danny Ball.

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Theatre review: Made in China 2.0, Malthouse

What's the role of the artist if not to provoke and to challenge?

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Theatre review: seven methods of killing kylie jenner, Malthouse Theatre

Celebrity culture, Twitter and the commodification of Black women all combine in a potent brew.

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On the move: Latest sector appointments

New Executive Officer joins Flying Arts Alliance, new Board members for Screen Australia and the MSO, and more.

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Theatre review: K-Box

Grappling with race, belonging and identity in this tale of trans-cultural adoption.

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