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Geraldine Quinn's 'Bastard Joy' at Melbourne International Comedy Festival 2025. A publicity image for the show: Quinn, a fair-skinned woman with swept-back, shoulder-length auburn hair, stares dramatically at the camera. She wears an ornate ruffled dress in hot pink, and large, half-moon pink earings to match.
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2025 summer festival highlights for your arts diary part 3: March

A hand-picked guide to some of the most intriguing cultural events on offer around the country in March 2025.

Sim Chi Yin, a woman crouching over large pieces of paper with photo on them.
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Performance review: Sim Chi Yin, One Day We’ll Understand, Footscray Community Arts, Asia TOPA 

A multimedia performance exploring memory and inheritance.

A woman in a blue jumpsuit and yellow beanie facing a video camera. The background is of snowy mountains.
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Performance review: Night Night, State Theatre Centre WA, Perth Festival

A magical-realist show about the origins of life on earth.

A concert scene with lots of bright lights and backdrop. Four figures in cream can be seen on stage and a back up band behind them.
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Performance review: Björn Again, West Gippsland Arts Centre

The ABBA tribute band are back on a country-wide tour.

A young man and an older man are staring at blank canvas. Shellshocked.
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Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival

The psychological ravages of war laid bare in unexpected ways. 

A brunette woman in a red singlet is staring up at a blond man in a olive top.
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Theatre review: Berlin, The Stables Meat Market, North Melbourne

Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

Three performers wearing black and white are reaching out to a third who is climbing on the stage.
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Ballet review: Relâche: The Last Dance on Earth, Odeon Theatre, Hobart 

A fusion of dance, Dadaist performance art and silent film.

Image is a pink/red background with a tonne weight on it, bearing the inscription Funny Tonne
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Back come the Melbourne International Comedy Festival Funny Tonners...

After a great launch to the partnership last year, ArtsHub and MICF are again joining forces to bring you the…

Two young girls in school uniform.
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Theatre review: The Children’s Hour, Old Fitz Theatre

Ninety years on from when Lillian Hellman first wrote the play, its story is still relevant.

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