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Sim Chi Yin, a woman crouching over large pieces of paper with photo on them.
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Performance review: Sim Chi Yin, One Day We’ll Understand, Footscray Community Arts, Asia TOPA 

A multimedia performance exploring memory and inheritance.

A woman in a blue jumpsuit and yellow beanie facing a video camera. The background is of snowy mountains.
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Performance review: Night Night, State Theatre Centre WA, Perth Festival

A magical-realist show about the origins of life on earth.

A concert scene with lots of bright lights and backdrop. Four figures in cream can be seen on stage and a back up band behind them.
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Performance review: Björn Again, West Gippsland Arts Centre

The ABBA tribute band are back on a country-wide tour.

A young man and an older man are staring at blank canvas. Shellshocked.
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Theatre review: Shellshocked, Holden Street Theatres, Adelaide Fringe Festival

The psychological ravages of war laid bare in unexpected ways. 

A brunette woman in a red singlet is staring up at a blond man in a olive top.
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Theatre review: Berlin, The Stables Meat Market, North Melbourne

Secrets and lies, the past and the present: Joanna Murray-Smith's play returns for a short season.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

Three performers wearing black and white are reaching out to a third who is climbing on the stage.
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Ballet review: Relâche: The Last Dance on Earth, Odeon Theatre, Hobart 

A fusion of dance, Dadaist performance art and silent film.

Image is a pink/red background with a tonne weight on it, bearing the inscription Funny Tonne
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Back come the Melbourne International Comedy Festival Funny Tonners...

After a great launch to the partnership last year, ArtsHub and MICF are again joining forces to bring you the…

Two young girls in school uniform.
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Theatre review: The Children’s Hour, Old Fitz Theatre

Ninety years on from when Lillian Hellman first wrote the play, its story is still relevant.

Three performers. One standing up, two crouch on the ground. They form a triangle shape.
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Dance review: Bunyi Bunyi Bumi, Bunjil Place, Asia TOPA 2025

A dance performance showcasing the interconnectedness of cultures.

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