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Daylight Connection. Image is an Aboriginal man flanked by two Aboriginal women whoh each have a hand on his shoulder. All are wearing grey T shirts.
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Theatre review: Whose gonna love ‘em? I am that i AM and Chase, Malthouse Theatre

First Nations Theatre collective A Daylight Connection presents a double bill that provokes, examines and entertains.

News

Opening of new Melbourne library, narrm ngarrgu, and return of Koorie Heritage Trust

Melbourne's first new library in almost a decade opens and the renovated Koorie Heritage Trust centre returns.

Song Circle. Image is five First Nations musicians standing and sitting on stage, four men, one woman and some guitars.
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Performance review: Song Circle, QPAC

An emotional evening of Australian stories from First Nations legends of music.

Rainbow Serpent (Version). Image is of a dark floor covered with small circles of light or white dots.
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Exhibition review: Daniel Boyd: Rainbow Serpent (Version), Institute of Modern Art

Rainbow Serpent (Version) is Indigenous artist Daniel Boyd’s first major exhibition in Brisbane.

The Bridal Lament. Image is a close-up of an Asian woman's face with a complex headdress, heavy makeup and facial adornments in the form of eight white pearl tears. She looks sad.
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Theatre review: The Bridal Lament, Space Theatre

Rainbow Chan's OzAsia contribution was 'an ambitious work infused with vulnerability, grief, and empowerment'.

Mob Image: Shutterstock. Illustration of two black side profiles against a green background. One figure has its eyes covered and another has its mouth covered.
Opinions & Analysis

Are you an imposter?

Mob are allowed to ask respectful questions about where you come from and who your people are. This is so…

Borderland. Image is two fold - on the left a bald headed Indigenous man in a blue shirt and dark jacket, on the right a book cover with a magpie looming over a young Indigenous boy.
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Book review: Borderland, Graham Akhurst

A coming-of-age tale about a city-born Indigenous teenager.

‘Wirnan’. Photo: Glenn Iseger-Pilkington 2018.
Opinions & Analysis

Cultural collaboration between remote Kimberley art centres

Through collaboration and shared resources, remote Kimberley art centres strengthen cultural practice and promote a unique identity.

Tarnanthi. Image is gallery space full of colourful Namatjira paintings and a full-size sculpture of a First Peoples bearded man in a white cowboy hat.
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Exhibition review: Vincent Namatjira: Australia in Colour, Art Gallery of South Australia

Namatjira's paintings examine the politics of history, power and leadership from a contemporary Aboriginal perspective.

tiaen tiamen. Image is abstract purple and green laser lighting patterns on black background with a crouching dancer wearing a loincloth and looking backwards in the bottom right hand corner
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Dance review: tiaen tiamen Episode 1, Dunstan Playhouse

Experimental and futuristic, but with its heart grounded in Indigenous culture, this work is the first part of a trilogy…

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