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'Nina Sanadze', installation view at The Ian Potter Centre: NGV Australia'. Photo: ArtsHub. In a gallery space with grey walls and tiled floors there are several large installations, including anti-terror barriers that appear like concrete spheres and rectangular blocks, scatters of monuments and sculptures.
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Exhibition review: Nina Sanadze, The Ian Potter Centre: NGV Australia

A succinct but multilayered survey of an artist who challenges history and perception.

Celina Lei

Apr 18, 2024
‘Fit for a King: Vincent Jenden Reimagines The Johnston Collection’. Photo: ArtsHub. An elaborate lounge room with elegant decor. The walls are painted a light pastel green and artworks are hang across the walls and antique furniture is on display.
Features

6 Easter eggs to find at The Johnston Collection

ArtsHub reveals some hidden gems with quirky stories that can be found in 'Fit for a King: Vincent Jenden Reimagines…

Celina Lei

Apr 10, 2024
Jumaadi, ‘Malaikat [Angel I]’, 2019-. Acrylic on buffalo hide. Collection of the artist. Image: Supplied. A detailed work depicting two figures flying with white wings and meeting each other in the centre. They both have two eyes on the side of their heads. In the background is an irregular oval with a circle of trees inside and a white bird on the bottom right corner.
Features

Forming amicable relations between adversarial nations through art

Australian and Indonesian artists traverse a political divide to find common ground and bring distinct ways of addressing shared concerns.

Pamela See

Mar 14, 2024
Jean Béraud, ‘The Entrance to the 1889 Universal Exhibition’ 1889, oil on wood. Image: Musée Carnavalet © CC0 Paris Musées/Musée Carnavalet – Histoire de Paris. A painting featuring a bustling scene of people gathering on empty ground with the Eiffel Tower in the distance, poles with French flag and trees. There seems to be excited among the crowd.
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An exclusive taste of historic Paris in Victoria’s heritage city

The Musée Carnavalet has developed an exclusive exhibition for Bendigo Art Gallery that will bring the dynamic atmosphere of turn-of-the-century…

Celina Lei

Mar 9, 2024
Penelope Cain, 'Ice-told stories of lead and rope' opening at POP. Image (cropped): Courtesy of the artist. Amundsen source material courtesy of the National Library of Australia. An artwork with two separate images spread across four panels. On the top is an archival image of a group of four explorers in a snowy environment looking at a small tent with flats on it. On the bottom is a photo of a silver rock.
News

POP exhibitions tapping into the zeitgeist

Two artists explore our world pre-climate disaster, and history that lends insight to past and future.

ArtsHub

Mar 6, 2024
Quilt work from the exhibition 'Quilts: The Fabric of War 1760-1900' at The David Roche Collection. Photo: Supplied. A harlequin quilt pattern with red, pink, yellow, blue green, white, purple and black diamond patches. It features various emblems, the US flag, the union jack and the words 'IN GOD WE TRUST'
News

Quilts by men: fabrics of war

Significant and rarely seen quilts from 1760-1900 will be on display in Adelaide, offering insight to their makers' lives and…

ArtsHub

Feb 15, 2024
Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
Features

Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

Christy Tan

Jan 31, 2024
White male author Simon Barnard (left) with black book cover for James Hardy Vaux's 1819 Dictionary of Criminal Slang
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Book review: 1819 Dictionary of Criminal Slang, James Hardy Vaux and Simon Barnard

Simon Barnard brings new light to a dictionary from the early days of Australia's colonisation.

George Dunford

Jan 15, 2024
Photo: Jill Kerswill. Left: Photo of Melanie Saward, a woman with light skin and bright pink hair sitting with her hand across her lap, wearing a floral pink dress. In the background is a shelf filled with books. Right: Cover of 'Burn', depicting a shadow of a boy standing against a large flame.
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Book review: Burn, Melanie Saward

A powerful debut fiction that reveals unsettling answers to 'Why are good kids misbehaving?'.

Anne-Marie Te Whiu

Jan 10, 2024
'The Final Line'. Photo: Courtesy the Great Indian Theatre Company.
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Theatre review: The Final Line, Nexus Theatre

The Great Indian Theatre Company’s debut work is by turns epic, grand and farcical.

Gok-Lim Finch

Dec 22, 2023
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