Exhibition
Q&A: Artist Wiliiam Yang on growing up gay and Chinese
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…
On Art, Activism and Empathy: George Gittoes and Luke Cornish
Having both worked in zones of conflict, Gittoes and Cornish speak with ArtsHub about their use of art as a…
Two women who rewrote Australian Modernism
A sculptor and a spiritualist are an unlikely pair to have shaped the history of Australian art, both now recognised…
Lisa Havilah on programming for the future
Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…
11 must see First Nations Exhibitions in 2021
From tracking ancient Songlines to the most contemporary artworks by First Nations artists, we pinpoint 11 must see First Nations…
Calling ambitious artists to lead contemporary textile practice forward
No longer boxed in by traditional boundaries, contemporary textiles present as a dynamic and bold frontier nurtured by the Wangaratta…
Stats out on Biennale of Sydney; we take a look at COVID’s impact
Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…
Exhibition Review: Space YZ, Campbelltown Arts Centre (Sydney Festival)
At a time when many of our art schools nationally face perilous cuts and closures, this exhibition curated by Daniel…
Exhibition Review: Know My Name, National Gallery of Australia
Shown where the NGA's International Collection sat traditionally, Australian women artists have usurped the power position with Know My Name…
Review: 2020 Biennale of Sydney (NSW)
Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate…