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A sequence from Rafael Bonachela’s 'Somos', which is featured in Sydney Dance Company's 2025 season. A female dancer, long dark hair cascading towards the floor, holds one leg up in a sharply vertical position as she falls back into a shirtless male dancer's arms.
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Stephen Page and William Barton collaborate for Sydney Dance Company’s 2025 season

The fruits of Sydney Dance Company’s annual New Breed showcase of emerging choreographic talent, as well as new works by…

Portrait image of choreographer Anne Teresa de Keersmaeker. The face and shoulders of a European woman in her forties looking into the camera.
Features

Artists respond to bullying accusations against international director

A statement from an esteemed choreographer in response to bullying accusations has sparked conversations about changing directorial practices in the…

Benjamin Garrett as Bosie and Callum Linnane as Oscar Wilde in The Australian Ballet's 'Oscar', choreographed by Christopher Wheeldon. A moody photo depicting the sexual relationship between Oscar and Bosie through dance, with Bodie's foot hooked behind Oscar's leg as he leans away.
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Dance review: Oscar, Regent Theatre

The life, loves and legend of Oscar Wilde take centre stage in the world premiere of the first full-length ballet…

A scene from 'Jean Paul Gaultier's Fashion Freak Show' at Brisbane Festival, featuring an array of performers dressed in colourful designs posing on a catwalk, surrounded by seated audience members.
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Festival review: Jean Paul Gaultier’s Fashion Freak Show, South Bank Piazza

This semi-autobiographical stage show exploring the French fashion designer’s life and career is visually splendid but, ironically, lacking in theatrical…

Dancer/choreographer Luke Murphy, looking sweaty and slightly dishevelled, holds an old-fashioned alarm clock up to one ear, in a scene from the dance-theatre production Volcano. He wears a dark suit jacket over a grey coat, and stands in front of a background of dingy wallpaper to which sheets of blank paper are pinned.
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Festival review: Volcano, Brisbane Powerhouse

On a glassed-in stage, two men reenact their memories in an endless loop – but what if those memories aren’t…

Three women in colourful printed clothes stand in front of assorted wire baskets that are also lit up.
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Performance review: Gurr Era Op, RISING Festival, Arts House

Torres Strait Islander women confront the devastation of climate change and battle the rising tide.

A darkened stage with four performers dressed in black in a simple formation, some are on the floor, others are standing.
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Dance review: Nocturnal, Subiaco Arts Centre

Four performers plumb the depths of mind and body through states of darkness in this contemporary dance work.

A dancer stands posed, arms outstretched and slightly crouched. She holds an arrow in her teeth. Behind her is a dramatic, green-tinted photograph of the sun depicting several solar flares.
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Dance review: Arkadia, RISING Festival, The Substation

An imaginative dance opera by choreographer Melanie Lane.

Two Aboriginal men dance together, both dressed in orange prison overalls. One, fully dressed and with a shaved head, supports the other man, who has curly hair and is shirtless, his overalls tied around his waist.
Features

Remounting a Stolen Generations story told through dance

Remounting ‘The Other Side of Me’ has allowed NT choreographer Gary Lang to enrich its beauty and potency, he explains.

Whitesnake3000. A woman of Asian appearance looks at the camera from side on. She is smiling and wearing white face make-up while sucking on a green tube.
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Performance Review: WHITESNAKE3000, State Theatre Centre of WA

Autobiographical dance theatre work exploring artistic, cultural and gender identity.

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