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contemporary dance

A scene from Shaun Parker & Company's 'KING' depicting seven shirtless male dancers, some with fists raised threateningly, others pointing accusingly, at an eight dancer who lies prone and protesting on the stage.
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Dance-theatre critique of toxic masculinity, 'KING', invited to Belgrade Dance Festival

Shaun Parker and Company’s ‘KING’ tours to Serbia next month, with Australian triple-threat dancer, actor and singer-songwriter Keiynan Lonsdale now…

A sequence from Tra Mi Dinh’s 'Somewhere between ten and fourteen', which features in Sydney Dance Company's 2025 season. The photo depicts four barefoot dancers in blue coveralls dancing on a blue-lit stage. The dancer on the far left has their legs spread, their right arm raised and their left arm extended horizontally; the dancer on the right, who is the focus of the focus, stands in a half-crouch, her arms extended to the right and her right foot bent so that the side of the foot rather than her sole is touching the stage.
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ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the 2025 season announcements you may have missed.

Eileen Kramer in the forthcoming Sydney Festival production 'AFTERWORLD'. A 110-year-old woman holds her hands to her veiled face.
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Vale Eileen Kramer

The iconic Australian dancer and choreographer has died aged 110.

The late Roz Hervey. A white woman with shoulder length grey hair and dark-framed glasses smiles for the camera. She is wearing a black top and sits before a black background.
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Vale Roz Hervey

Beloved by the Australian arts sector, Hervey chose to leave this life with dignity, on her own terms and surrounded…

A sequence from Rafael Bonachela’s 'Somos', which is featured in Sydney Dance Company's 2025 season. A female dancer, long dark hair cascading towards the floor, holds one leg up in a sharply vertical position as she falls back into a shirtless male dancer's arms.
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Stephen Page and William Barton collaborate for Sydney Dance Company’s 2025 season

The fruits of Sydney Dance Company’s annual New Breed showcase of emerging choreographic talent, as well as new works by…

Portrait image of choreographer Anne Teresa de Keersmaeker. The face and shoulders of a European woman in her forties looking into the camera.
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Artists respond to bullying accusations against international director

A statement from an esteemed choreographer in response to bullying accusations has sparked conversations about changing directorial practices in the…

Benjamin Garrett as Bosie and Callum Linnane as Oscar Wilde in The Australian Ballet's 'Oscar', choreographed by Christopher Wheeldon. A moody photo depicting the sexual relationship between Oscar and Bosie through dance, with Bodie's foot hooked behind Oscar's leg as he leans away.
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Dance review: Oscar, Regent Theatre

The life, loves and legend of Oscar Wilde take centre stage in the world premiere of the first full-length ballet…

A scene from 'Jean Paul Gaultier's Fashion Freak Show' at Brisbane Festival, featuring an array of performers dressed in colourful designs posing on a catwalk, surrounded by seated audience members.
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Festival review: Jean Paul Gaultier’s Fashion Freak Show, South Bank Piazza

This semi-autobiographical stage show exploring the French fashion designer’s life and career is visually splendid but, ironically, lacking in theatrical…

Dancer/choreographer Luke Murphy, looking sweaty and slightly dishevelled, holds an old-fashioned alarm clock up to one ear, in a scene from the dance-theatre production Volcano. He wears a dark suit jacket over a grey coat, and stands in front of a background of dingy wallpaper to which sheets of blank paper are pinned.
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Festival review: Volcano, Brisbane Powerhouse

On a glassed-in stage, two men reenact their memories in an endless loop – but what if those memories aren’t…

Three women in colourful printed clothes stand in front of assorted wire baskets that are also lit up.
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Performance review: Gurr Era Op, RISING Festival, Arts House

Torres Strait Islander women confront the devastation of climate change and battle the rising tide.

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