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The Melbourne Theatre Company is too woke? Go back to sleep
Nobody benefits from disparaging words and lazy critique – certainly not those of us working in the arts.
In 2026, can we please have fewer books published in Australia?
Publisher and all-round book lover Terri-ann White thinks too many books are published and rails against the cult of the…
You write like AI, people think it's AI generated—what should you do?
AI writing can be obvious, repetitive and obvious, leading to a tapestry of issues for human writers—let's delve into this…
20 years of Arts House: reflecting on where it all began
The founding Artistic Director of Arts House takes a look back at the early days of Melbourne’s home of contemporary…
La Mama 2026 and beyond: reflect, reconnect, relaunch
La Mama reopens after a year of reflection and reconnection, doubling down on ‘complete artistic freedom’ and committing to staging…
Anatomy of a campaign: What the AI copyright win teaches us about collaborative advocacy
Nicholas Pickard of APRA AMCOS takes us behind the scenes of the major AI copyright campaign and finds many lessons…
With ADC’s forced closure, CEO reflects on ambition and legacy
CEO Lisa Cahill reflects on Australian Design Centre in the wake of the organisation’s announced 2026 closure.
We've achieved a successful AI copyright ruling – but 'significant' advocacy is still needed
The CEO of the Australian Publishers Association welcomes the recent TDM ruling, which upholds authors' copyright in the training of…
Why I started Readers and Writers Against the Genocide (RWAG)
'As a literary community, we trade in creative freedom, free speech and the contestation of ideas,' says RWAG founder Aviva…
Arts students with disability faced harsh odds 40 years ago – what’s different now?
The Executive Director of one of our largest disability arts organisations, DADAA, identifies positive changes in tertiary arts training, but…
