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Street performer reclaims Fed Square after far-right threat
Members of the far-right threatened and harassed a popular performer at Federation Square on Sunday. On Tuesday he and his…
Review: Jason Kravits Off the Top! at Adelaide Cabaret Festival
Led by Kravits, this show sets about creating a musical account of a cabaret singer ‘you’ve never heard of’ with…
Expanding Australia's cultural narratives on stage
Set in contemporary Western Sydney, Aanisa Vylet’s play, 'The Girl / The Woman', explores the interior lives of a first…
Top 10 tax claims for artists and creative professionals
For artists and creative professionals, it's important that tax claims are made only when justified. Here are 10 claims you…
Review: Handel's Athalia by Pinchut Opera
Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.
Review: Verdi’s Requiem, Sydney Symphony Orchestra
An unusual hybrid creation that straddles both church and state, superbly performed, and streamed throughout the world.
Is Hong Kong the next game changer in the global art scene?
‘It has been exhilarating to watch at close quarters the accelerated story of Hong Kong’s emergence as a global art…
Review: Above Ground at Riverside Theatres
Form Dance presents a thought-provoking visually striking double bill of contemporary dance.
Review: Shaken: A James Bond Cabaret at Chapel off Chapel
Who is the best 007? This long debated question is the light-hearted driver of Charlie D. Barkle and Erin Hutchinson’s…
Review: Marjorie Prime at Ensemble Theatre
This play opens with some promising questions but ultimately its answers are simplistic and outdated.
