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Review: St. Vincent at Carriageworks for Vivid Sydney
St. Vincent can carry a 500-strong audience on the voice alone, but the guitar is a hell of a bonus.
Review: Fury at Red Stitch Actors' Theatre
Fury is a superbly directed piece of compelling contemporary theatre by eminent playwright Joanna Murray-Smith – this show is attracting…
Hobart’s poorer suburbs are missing out on the ‘MONA effect’
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the…
Review: Bangarra's Dark Emu at Sydney Opera House
There is no single hero in Bangarra, despite there being plenty of heroism.
Applause: latest funding and awards announced
The Helpmann Awards nominations revealed; NSW Creative Achievement Award winners announced; 2018 Adelaide Fringe Annual Review released; and more.
Review: WAPAA's Carousel at The Regal
If you love musicals, do yourself a favour and head to The Regal this week to catch Carousel.
Review: Eastern Bloc Rock at Space Theatre
Mikelangelo spins the magic of his show almost seamlessly.
Woolworths reverses decision to cancel Spencer Tunick nude installation
'The Woolworths Group has always been supportive of the Arts Festival. This is not a decision based on the artist…
Review: Molière's The Hypochondriac at Eternity Playhouse
In this new vibrant translation by Hilary Bell, Molière's play is given a sharp updated revival.
Review: The Curious Incident of the Dog In The Night-Time at QPAC
Based on Mark Haddon’s bestseller and directed by Marianne Elliott this snazzy, original play brims with brilliant touches.
