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Work travel hacks to keep you sane on the road
Regularly travelling as part of your arts practice can quickly become hard work, so we spoke to artists and writers…
ICYMI: A wrap of the week's arts news
Sotheby's sold, a new museum, kids theatre centre stage for 2020, festivals unveiling their programs, and a significant diversity survey…
Festival and film culture get SA budget boost as other arts orgs tighten belts
Adelaide Festival has received an additional $1.25 million in annual funding over the next three years, with another $6 million…
Review: David Campbell is Back In The Swing Of Things, Adelaide Cabaret Festival (SA)
David Campbell swings Adelaide for one night only.
First Nations leadership is about letting go, and holding on
Indigenous professionals discuss what First Nations leadership looks like, and why it might offer a more viable model for bringing…
9 techniques for generating game changing ideas (from the archives)
From group drawing to dissident behaviour, stealing innovation to tricking the brain into being creative, Nicole Velik of The Ideas…
How to strengthen a fragile arts ecology
In smaller cities, the departure of key individuals can send shock waves through the local sector, while the loss of…
Review: When the Light Leaves, La Mama Courthouse (VIC)
Rory Godbold’s play illustrates the anguish of waiting to die.
Review: Dvorak’s Symphony No 6, Sydney Opera House
An exhilarating, muscular performance.
Review: Sweeney Todd, Darling Harbour Theatre, ICC Sydney (NSW)
Strong performances can't quite conceal the fact that this production isn't entirely gripping.
