Search Results
Can you ever have too much Beethoven?
University of Sydney’s David Larkin asks, is Beethoven at risk of overexposure?
Are arts grants applications blocked by classist language?
Applying for a grant shouldn't require a specific language but for some there is a class barrier that prevents application.
Review: Jesus Wants Me for a Sunbeam, Belvoir (NSW)
A dark and clever work that produces visceral, divided responses from the audience.
Is professionalism a dirty word in the arts? (from the archives)
Has too much talk of brand and career management muddied the path of professional practice as an artist? Artistic growth…
Review: Bunggul, Perth Festival (WA)
A transcendent meeting of musical traditions and a superb tribute to the life and artistry of the late Geoffrey Gurrumul…
On the Move: Latest sector appointments & departures
Meet DRILL’s new Artistic Director, CIAF's new General Manager, Brisbane Festival’s Marketing and Communications Director, and more.
Review: Bennelong, Perth Festival (WA)
Bangarra Dance Theatre’s exploration of the life of Woollarawarre Bennelong is a potent, powerful and polished work of art.
Performing Arts Markets and their Conundrums
Veteran arts marketeer Justin Macdonnell gives us an uncompromising look at the refashioned Australian Performing Arts Market debuting this month,…
ICYMI: The week's top news in the arts
Gritty, provocative artist talks in Adelaide and Melbourne, new work by female composers, Parramasala Festival returns, and more arts news.
Review: New Balance, Theatre Works/Midsumma Festival (VIC)
New Balance is a tender, insightful and intelligent look at the collective experiences of what it is to be queer.
