Search Results
Review: Cloudstreet, Perth Festival (WA)
Despite a strong cast, the emotional resonance of Winton’s epic story is buried in the bluster.
Cultural leadership versus ‘business as usual’
There is now no government department with ‘arts’ in the title. Our political vanishing act should be a wakeup call…
Managing a massive assignment
Carrie Rae Cunningham explains what inspired her to take up the helm of much admired arts organisation, Massive Theatre Company.
Review: Hofesh in the Yard, Perth Festival (WA)
Shechter’s no-holds-barred style is brought to life in brilliant fashion by an all-Australian cast.
On the Move: Latest sector appointments and departures
Back to Back’s loss is the sector’s gain as Alice Nash joins the Australia Council, plus other arts appointments.
New trends in private giving
Part of shifting the philanthropy landscape in Australia, is shifting perceptions. We take a look at a recent report that…
Can outdoor events develop dance literacy in new audiences?
Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences…
Review: Kate Tempest, QPAC (QLD)
Tempest is a force of nature, a stage stealer, a charismatic performer of sharply drawn narrative who crosses genre boundaries…
Australian gothic enters haunting new chapter with audio narrative
A new podcast evokes the history of the Australian Gothic through a series of audio stories told by respected Australian…
Review: Colossus, Perth Festival (WA)
A dance work of epic proportions, Stephanie Lake's Colossus is performed with wonderful sensitivity and precision.
