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What changes to Australian Copyright Act could mean to artists
The Arts Law Centre of Australia has expressed concern that creators will lose out under the copyright reforms set to…
Metro Arts opens fit-for-purpose new home in Brisbane’s West End
Creating the new home of Metro Arts was ‘seven months of building hell,’ according to Creative Director and CEO Jo…
Is your international career a threat or a win?
With a top drawer international career for over a decade, Sophie O’Brien takes on the position as Bundanon Trust’s Head…
Applause: latest funding and awards announcements
Composer and sound artist Ros Bandt honoured, Four WA regional artists receive $50K, Salote Tawale wins Mosman Art Prize, plus…
How to put on a festival from the comfort of your home
Agility, adaptability and upskilling are all part of the process, but gifs are important too. Lessons learned from Melbourne Fringe's…
In the work-from-home battle for space, women are the reluctant nomads
US author and academic Elizabeth Patton takes a look at the social history of the home office, to better understand…
Chasing philanthropy, inspiring volunteers and supporting the arts in our latest podcast
In the latest ArtsHubbub we look at the ways in which giving is supported in the arts. We speak with…
‘It gets harder’: Tim Winton on writing (From the Archives)
The author of Cloudstreet offers insights into the writing life and reflects on the differences between writing for the page…
On the Move: Latest sector appointments and departures
NGA announces curator for 4th National Indigenous Art Triennial, Ausdance Victoria welcomes new board member, UNSW Dean of Art &…
Theatre review: Welcome to the Masque by Riverside Theatres Digital
In this scary era of the rampant COVID-19, a live theatre performance like Welcome to the Masque was a rare…
