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A reason for gratitude and hope
Everett Quinton, star alumnus and artistic director of the Ridiculous Theatrical Company, shares stories from his early days as an…
The New Greek and Roman Galleries at New York’s Metropolitan Museum of Art
The new Greek and Roman Galleries at the Metropolitan Museum of Art are the triumphant result of 15 years of…
Writing In The Desert
Writer Jan Cornall tells how the red trees and orange canyons of the West MacDonnell Ranges inspired her imagination, and…
Extraordinary Aliens: A guide to living in America as a foreign artist
For all of America’s political failings, braggadocio, and cultural frothiness, the fresh desire to start a new life, embodied by…
Artist's Voice: Domenic Salerni
When I am asked what I am doing with music, I invariably must pause. As a nineteen-year-old violinist enrolled in…
Gérard Mortier at City Opera — Maestro in the House
The last thing that new Met general manager Peter Gelb expected to confront on February 28 this year was the…
Peter Gelb Stages a Worthy Debut at the Metropolitan Opera
Major cultural institutions are not noted for their agility with change. Board structures, subscribers’ tastes, administrative ballast, and the sheer…
Chihuly: Gardens & Glass
Dale Chihuly will never be accused of not thinking big. At the beginning of one of his many videos, the…
Review: Beauty is never simple.
It comes as no surprise that New Yorkers now officially love their artists more than they love their art. People…
Global Feminisms: New Directions in Contemporary Art — Part 2
Global Feminisms situates itself within a sequence of art shows that have sought to correct the traditional Western prejudice against…
