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Music Review: ACO: Tabula Rasa – Arvo Pärt and Shostakovich
A rich essay providing elegance, occasional moments of ebullience, and sublime, patient restraint.
Performance Review: Break the Cinnamon Branch
In this new digital series of performances, Sri Lankan born Jagath Dheerasekara presents recipes for dishes while challenging racist narratives.
Theatre Review: Naked and Screaming, La Boite Theatre
A title as suggestive as Naked and Screaming sets you in for a hot and steamy play. Instead, playwright Mark…
Exhibition Review: False Sense of Security, The Lock-Up
An intriguing theme and an ideally suited venue produce an often provocative exhibition.
Music Review: QSO Favourites: Beethoven to Bolero, QPAC
The opening concert of the QSO's 2021 season was chosen from classic orchestral favourites suggested by the audience.
Book Review: The Scomo Diaries by Tosh Greenslade and Andrew Weldon
Tosh Greenslade and Andrew Weldon mercilessly lampoon the prime minister.
Performance review: After Erika Eiffel, Let Me Dry Your Eyes, and Zinc (MONA FOMA)
Three new works presented as part of MONA FOMA 2021, created by BIG hART, Second Echo Ensemble and Hobart-based artist…
Dance Review: The Complication of Lyrebirds, C-A-C (Sydney Festival)
This debut work by Jasmin Sheppard is a potent and poetic metaphor for many First Nations Australians as they confront…
Dance Review: Explicit Contents (Sydney Festival)
Rhiannon Newton's latest offering is a meditation on the human body’s relationship to its sensory environment.
Book Review: Red Herrings for Breakfast by Annabet Ousback
In this poignant memoir, Ousback and her brother Anders endure a tough, confusing childhood steered by complex, demanding and rather…
