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Dance Review: Sydney Dance Company's Impermanence
The meaning of ‘impermanence’ has changed over the past year, personally and globally.
Performance review: After Erika Eiffel, Let Me Dry Your Eyes, and Zinc (MONA FOMA)
Three new works presented as part of MONA FOMA 2021, created by BIG hART, Second Echo Ensemble and Hobart-based artist…
Dance Review: The Complication of Lyrebirds, C-A-C (Sydney Festival)
This debut work by Jasmin Sheppard is a potent and poetic metaphor for many First Nations Australians as they confront…
Dance Review: Explicit Contents (Sydney Festival)
Rhiannon Newton's latest offering is a meditation on the human body’s relationship to its sensory environment.
Dance Review: Cinderella, Ballet Theatre Queensland
Ballet Theatre Queensland presents an adaptation of Charles Perrault’s fairy tale Cinderella at QPAC Playhouse.
Performance review: Bhoomi: Our Country (Sydney Festival)
A collective of musicians, dancers and writers weave ancient texts, myths and traditions into a recital exploring collective connection to…
Dance Review: All Expenses Paid, Stompin (MONA FOMA)
Stompin's latest work was originally supposed to be presented in April 2020, and has benefitted from the extra-long development process.
Dance Review: SITU-8, State Theatre Centre of WA
The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true…
Dance Review: The Nutcracker, WA Ballet
After such long confinement His Majesty's grand old theatre opens its doors once again.
Dance Review: GALA, WA Ballet
Aurélien Scannella celebrates eight years as Artistic Director of the West Australian Ballet company.
