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15 years of amplifying Tasmanian voices
Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
The joys and challenges of making art for babies
Everybody has a right to a cultural life, including toddlers and babes in arms. The presentation of such work can…
Exit interview: Tim Munro, Theatre Royal, Hobart
After 17 years as CEO of Australia’s oldest continually operating theatre, Tim Munro is moving on. He reflects on his…
How festivals are coming out of COVID
After 2020’s postponements, festivals are back with a renewed focus on the local, exciting audiences across the nation.
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Inspiration during isolation: The long-term benefits of artist residencies
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…
Harmonisation, complexity and change: exploring the National Performing Arts Touring Scan
Previous reports into the national touring ecology released in 2005 and 2011 effectively came to naught, so what makes the…
Rediscovering the joys of touring during COVID
Eva Di Cesare, Artistic Director of Monkey Baa Theatre Company, tells us how the pandemic has changed the company’s approach…
New festival promises more than just bright lights on cold nights
Illuminate Adelaide, the nation’s latest winter arts festival, has released the first glimpse of its inaugural program.
