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Rebuilding the performing arts: an economist weighs in
One of Australia's best economics brains looks at the good and bad news for the arts as a keynote at…
20 year milestone shows independent theatre's struggle
An independent remount of a work first staged 20 years ago reveals struggles faced by artists since then.
How one venue’s closure can damage the arts ecology of a city
The impending closure of the Bakehouse Theatre in May 2022 is potentially devastating for Adelaide’s independent arts sector.
Digital performing arts – not just for COVID, but the future
Live arts from home seems like a sugar hit for the times, but evidence shows we’re signing up for longer…
Story vs song: juggling the needs of different narrative forms
The narrative needs of theatre and songwriting can differ significantly, so how do you go about fusing them together in…
Haunting history play to premiere at new First Nations festival
There’s a special feeling on Boorloo boodja (Perth country) in the lead up to Black Swan State Theatre Company’s inaugural…
That sinking feeling
One month after Melbourne's RISING was forced to close after only a single night of performances, Tim Byrne reflects on…
Connecting with Country through theatre
Mitch King's new work is about storytelling on Country, with and for the community, and about the Yaegl people's connection…
15 years of amplifying Tasmanian voices
Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
