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Dead white males and gay dancers: challenging stereotypes part two
If you think that classical music is all about dead white males, or that there’s something unmanly about male ballet…
On the road: why you need to be strategic about touring
Whether venturing around the country or overseas, planning a long-term touring strategy needs careful consideration.
The UNESCO City of Music without a concert hall
The lack of a purpose-built, acoustically engineered concert hall is hindering the artistic development of the Adelaide Symphony Orchestra.
Female composers forced to think small
On the eve of a new premiere, a leading female composer has spoken out about the disadvantages still faced by…
Why Australia still dances to an Irish tune
What impact have successive waves of Irish immigration had on Australian art and culture?
Why aren’t Australia’s female composers being heard?
New music by female composers is being sidelined in professional Australian concert programs.
New age markets for classical music
Are meditation, mindfulness and therapeutic audiences the next growth market for the classical music sector?
Shall we dance? Why Opera Australia staged The King and I
Why is a government subsidised company staging a work that falls squarely within the ambit of commercial theatre?
All that (Australian) jazz
With jazz festivals over the next few months from Perth to Devonport , we listen out for an identifiable Australian…
China market looms large for classical sector
The Sydney Symphony’s forthcoming tour to China reinforces the nation’s value as a growing market for classical music.