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Dead white males and gay dancers: challenging stereotypes part two

If you think that classical music is all about dead white males, or that there’s something unmanly about male ballet…

Features

On the road: why you need to be strategic about touring

Whether venturing around the country or overseas, planning a long-term touring strategy needs careful consideration.

Features

The UNESCO City of Music without a concert hall

The lack of a purpose-built, acoustically engineered concert hall is hindering the artistic development of the Adelaide Symphony Orchestra.

Features

Female composers forced to think small

On the eve of a new premiere, a leading female composer has spoken out about the disadvantages still faced by…

Dead Centre's 'Lippy' at Abrons Arts Center with Irish Arts Center.
Features

Why Australia still dances to an Irish tune

What impact have successive waves of Irish immigration had on Australian art and culture?

Features

Why aren’t Australia’s female composers being heard?

New music by female composers is being sidelined in professional Australian concert programs.

Features

New age markets for classical music

Are meditation, mindfulness and therapeutic audiences the next growth market for the classical music sector?

Features

Shall we dance? Why Opera Australia staged The King and I

Why is a government subsidised company staging a work that falls squarely within the ambit of commercial theatre?

Features

All that (Australian) jazz

With jazz festivals over the next few months from Perth to Devonport , we listen out for an identifiable Australian…

Features

China market looms large for classical sector

The Sydney Symphony’s forthcoming tour to China reinforces the nation’s value as a growing market for classical music.

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