National
Review: Evie May, Hayes Theatre
Evie May is a charming and emotional backstage tale, which, notwithstanding its period setting, has currency and relatability.
A seat in the writer's room: writing for stage and screen
Playwright and NIDA graduate Gretel Vella discusses the reality of life behind the keyboard, and the differences between writing for…
'A deep regard for creative endeavour': meet the new Australia Council CEO
Diversifying the arts, working with government and finding new ways to talk about the relevance of the arts in our…
'Father of the Fringe' leaves $500,000 legacy
Three generous bequests amounting to half a million dollars over the next decade will build on the legacy of the…
Review: The Word by William Lane, Transit Lounge
The Word is intended to be a satirical novel about the use of language.
Review: At Dusk by Hwang Sok-yong, Scribe
In this highly engaging novel, Hwang Sok-yong subtly interweaves the reminiscences of three people.
Peer mentorship offers rewards beyond the silo of geography
A new program led by the British Council pairs Australian and British arts colleagues from minority and First Nations backgrounds…
Review: Mamma Mia The Musical, Adelaide Festival Centre
The newest production of the world-wide musical sensation Mamma Mia has landed in Adelaide after a year long tour around…
On the move: the latest appointments and resignations
New CEO for Australia Council, Asia TOPA 2020 announces Executive Producer, and new CEO for Accessible Arts.
Toxic workplaces feed the impostor phenomenon – here’s why
The impostor phenomenon breeds from a mix of genuine personal doubt over work abilities and the collective experience of a…