National
Review: Zenobia by Morten Dürr and Lars Horneman, UQP
This is a striking and deeply moving graphic novel, which uses simple drawings and few words to tell an important…
Review: Magic by Jan Golembiewski, Transit Lounge
Magic is the most incredible true story you are likely to read in a very long time.
Review: Cuttings – Elizabeth Gower, Geelong Gallery
With scissors, glue and cuttings from printed paper, Elizabeth Gower has constructed a career that turns craft traditions into high…
Review: William Kentridge at AGNSW
Curated by Kentridge himself, this is a great celebration of creative engagement and its capacity to dovetail into every aspect…
On the move: the latest appointments and resignations
New CEO for SALA, new Marketing head at Bundanon, and Adelaide Fringe Ambassadors announced.
Eight things every screenwriter needs to know
Screenwriter, script advisor and educator Kathryn Burnett schools you up on nailing your script.
Review: Lexicon, Melbourne International Arts Festival
Wales-based NoFit State's circus show, Lexicon, opens with ruckus as spit balls are thrown about and the class runs amok.
The Sydney Opera House is not a billboard – sector speaks out
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement –…
Review: The Gruffalo, Athenaeum Theatre
The show is beautiful and there wasn’t a child there who didn’t seem to enjoy the performance.
Applause: latest funding and awards announced
Finalists revealed for the Shirley Hannan National Portrait Prize and Rob Guest Endowment, Ursula Hoff Fellowship announced, and many more…