Theatre
Installation review: Endling, Vivid Sydney
A solo act that combines  projections, sound and narration with confined aerial and physical theatre.
Performance review: Night Night, Alexander Theatre, Monash Performing Arts CentresÂ
A profound tale, told with modern tech whizz-bangery that inspires, makes us think and touches the heart.
Theatre review: Heaven, Loading Dock Theatre, Qtopia Sydney
Kate Gaul directs the 2023 Irish Times' Best New Play at LGBTQIA+ museum and cultural centre, Qtopia Sydney.Â
Theatre review: Endgames, fortyfivedownstairs
Three short works from modernist playwrights Chekhov, Beckett and Hibberd.
Theatre review: Looking for Alibrandi, Adelaide Festival Centre
Melina Marchetta’s much loved book about migrant families in Australia is brought to life on stage.
![Four women standing with their hands on their hips. A scene from 'FEMME PLAY [ungrateful slut]', now showing at The Butterfly Club.](https://www.artshub.com.au/wp-content/uploads/sites/2/2025/05/PP3-Rosie-Rodiadis_-Ruth-Katerelos-June-Collins-Gabby-Llewelyn-Photo-by-Sarah-Yeung1.jpg?w=310)
Theatre review: FEMME PLAY [ungrateful slut], The Butterfly Club
Judy Doubas’ latest play illuminates women’s roles in contemporary society.
Performance review: Vandemonian Lags, Melbourne Recital Centre
A reprisal of a musical production by Mick Thomas and friends about Tasmanian convicts and their stories.
Performance review: The Birds, Malthouse Theatre
This adaptation of 'The Birds' sticks far more closely to Du Maurier's tale than the Hitchcock film.
Theatre review: Shadow Boxing, Explosives Factory
A remount of a production needs more signposting about the era.
Philosophy, pleasure and pain: Genet's The Maids at The Street Theatre
Caroline Stacey explains why she has chosen UK playwright Martin Crimp's translation of 'The Maids' for Canberra audiences.