Reviews
Book Review: Writing the Country by Griffith Review
A diverse range of styles, voices and topics explore Australia in the Anthropocene age.
Review: TheatreiNQ’s The Weir
A change of pace for Townsville’s theatre company finds them in a warm and intimate space.
Review: Mighty, Bathurst Memorial Entertainment Centre
Mighty is an exceptional new drama developed by Adam Deusien in collaboration with Alison Plevey, and one of Australia’s most…
Review: Dada Masilo’s Giselle, Perth Festival
In the hands of South African choreographer Dada Masilo, Giselle’s journey to the spirit world is captivating, but its strengths…
Review: Twisted Element's Ritual
Ritual is a meditative and trance-like performance with sudden explosions and changes of mood and tone.
Review: Dead Cat Bounce, Griffin Theatre Company
Dead Cat Bounce, from Mary Rachel Brown, plays out a witty, comic and ultimately very moving story.
Review: Matt Tarrant: MORE Unsolved, Adelaide Fringe Festival
Award-winning Adelaide illusionist Matt Tarrant returns to the Adelaide Fringe for another season of trickery.
Review: Desert River Sea, Art Gallery of Western Australia
Six years in the making, and funded to the tune of $1.8M, Desert River Sea doesn't disappoint and offers a…
Review: Werther, Opera Australia
A breezy opera that spirals into romantic tragedy, Werther is one of opera's most performed productions and it returns to…
Review: Harry Potter and the Cursed Child, Princess Theatre, Melbourne
Presented as two full-length plays, which audiences can see on consecutive nights or back to back on the same day,…