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Review: The Merry Widow, Adelaide Festival Centre

The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.

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Review: Invisible Things, Brisbane Powerhouse

Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.

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Review: 9 by 5 Exhibition, Walker Street Gallery & Arts Centre

The equivalent of an open mic for artists, 9 by 5 Exhibition places a premium on participation and values diversity…

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Film Review: Creed II

With this follow-up to 2015’s Creed, the Rocky franchise delivers its first direct follow-up with heft and weight.

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Review: Bottomless by Dan Lee, fortyfivedownstairs

Support our playwrights and go to see this original new work. It's original, lyrical, unsettling and yet gentle.

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Review: Staatskapelle Berlin – Daniel Barenboim

Over three nights, Sydney audiences were granted a grand experience of excellence in orchestral art as well as the mature…

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Review: Aspects of Love, Hayes Theatre

A darkly romantic evening of theatrical excellence.

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Review: The 9th Asia Pacific Triennial of contemporary Art, QAGOMA

APT9 is a slow and steady exhibition that works against the quick read and quick perceptions of art making in…

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Review: When I Saw the Animal by Bernard Cohen, UQP

When I Saw the Animal is a delightful collection of short stories and whatever the length, Bernard Cohen’s focus is…

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Review: An Open Book by David Malouf, UQP

Malouf covers a wide canvas and casts a light on the human condition with insight and wisdom and affection.

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