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Review: Colossus, Perth Festival (WA)

A dance work of epic proportions, Stephanie Lake's Colossus is performed with wonderful sensitivity and precision.

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Review: CO_EX_EN, QPAC (QLD)

Impressive and evocative, Karul Projects’ performance tells the story of a cultural site on Bundjalung country.

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Review: Beethoven 1, 2 & 3, Australian Chamber Orchestra (National)

Fast and furious wins the day in ACO’s tour celebrating Beethoven’s 250th birthday.

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Review: Terminus, Heide Museum of Modern Art (VIC)

Jess Johnson and Simon Ward’s exhibition combines virtual reality, textile works, and retrofuturistic aesthetics.

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Review: The Importance of Being Earnest, Malthouse Theatre (VIC)

There’s never been anything quite like this iteration of Wilde’s sparkling comedy in which Jon Haynes and David Woods perform…

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Review: Torch the Place, Arts Centre Melbourne (VIC)

Benjamin Law’s theatre debut sparks joy – and a pile of other feelings.

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Review: Thirteen Ways to Look at Birds, Perth Festival (WA)

A Perth Festival Commission with Paul Kelly and James Ledger creates a soundscape at times intimate and fragile, at others…

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Review: Ian Strange - Suburban Interventions, John Curtin Gallery (WA)

Ian Strange restores empathy to suburbia, in the wake of economic and environment destruction, in this first survey exhibition of…

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Book review: Sidney Nolan: The Artist’s Materials by Paula Dredge

Paula Dredge provides bold new insights into the work of this iconic Australian artist.

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Review: No Pay? No Way!, Sydney Opera House (NSW)

Liberation takes many forms in Marieke Hardy’s stellar adaptation of Dario Fo’s classic Marxist farce.

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