Reviews
Book Review: The Language of Butterflies by Wendy WIlliams
This non-fiction work takes a social, historical, and ecological look at the world's favourite insect, and the little known figures…
Book Review: Having and Being Had by Eula Biss
Using her own experiences as a lens, Eula Biss interrogates our psychosocial relationships with money, wealth and consumption.
Book Review: Show Me Where it Hurts by Kylie Maslen
Kylie Maslen’s 'Show Me Where it Hurts' is a provoking and much-needed contribution to the conversation about invisible illness.
Theatre Review: Much Ado about Nothing by TheatreiNQ
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
Review: Anita Johnson Larkin at Wollongong Art Gallery
Anita Johnson Larkin has the capacity to transform the autobiographical into the multi-biographic, sharing intimate stories through objects discarded by…
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
Book Review: 'How I Clawed My Way to the Middle' by John Wood
John Wood's autobiography is written with great warmth and passion, acknowledging the transitory essence of the theatre world.
Book Review: 'The F Team' by Rawah Arja
'The F Team' presents a perspective on Lebanese Australia that is an overdue addition to the #LoveOzYA bookshelf.
Book Review: 'The Convict Valley' by Mark Dunn
In 'The Convict Valley', historian Mark Dunn seeks to tell the stories of those typically overlooked by Australian history.
Book Review: 'Every Day Creative: A Dangerous Guide to Making Magic at Work' by Mykel Dixon
Mykel Dixon's creativity manual asks the reader to record how they think they will be remembered after they are dead…