Features
How technical culture’s hierarchies both strengthen and weaken the theatre
The sharply defined hierarchies of theatre life mean that those who work in technical fields have a rigorously policed identity,…
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Inspiration during isolation: The long-term benefits of artist residencies
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…
Bringing a new lens to arts coverage on the ABC: Namila Benson talks Art Works
The host of ABC TV’s new weekly arts program promises to be much more than just a talking head.
Finding a place in the strange new world of NFTs
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…
Introducing Gill Minervini, Vivid Sydney’s new Festival Director
Gill Minervini gives us a sneak peek into what the festival has to offer including a future of more collaboration…
What should Tasmania’s arts priorities be post-election?
Arts leaders from across the state offer up their key arts policy suggestions for whichever political party next forms government…
Decline in operational funding poses risk to contemporary artistic practice
NAVA's message is clear: ‘stop treating art and culture as expendable and start recognising their essential role in the stimulation…
Curatoriums are the new programming superpower
As the Biennale of Sydney unveils its new curatorium, we look at shifting exhibition models in a post-pandemic rethink, as…
The turgid trajectory of sculpture in education (from the archives)
To celebrate International Sculpture Day on 24 April, we revisit this 2018 article that asks whether our education system is…