Features
What to say when the news is all bad
In 2020 we've all had our share of bad news whether it's personal, professional or pandemic. Dr Diana Carroll looks…
Myth or truth: Do artists feel international engagement is overrated?
To mark International Artist Day, ArtsHub asked Australian artists how they felt about engaging with an international audience, or whether…
Can a mining state be pro-heritage?
Vital steps need to be taken to avoid another Juukan Gorge in a state heavily reliant on mining, by adding…
Glendyn Ivin's Hotel Quarantine: a strange sense of freedom
We asked the prolific Australian director and photographer about his two weeks alone in a room with a camera, his…
From the cupboard to the cove: adapting theatre for a virtual audience
While some theatre productions were cancelled because of COVID, others took on a new life, being reimagined as podcasts and…
We need to talk about colonialism and our museums
Should museums be made to give back their marbles? Must Rhodes fall? In her book The Whole Picture, Alice Proctor…
What is the role of the artist today?
American theatre-maker Michael Rohd reflects on the importance of listening and curiosity, and the role of art in our turbulent…
Ten Australian niche museums
Have you ever viewed a sculpture 40 feet underwater? Or taken a peek into the bedrooms of Russia's aristocracy? Australia’s…
20x20: Your guide to navigating uncertainty
Celebrating 20 years of ArtsHub, we revisit this article from 2016 looking at uncertainty – a topic that's clearly timely,…
Tarnanthi turns to the stories of women to lead us out of crisis
Working with 87 artists during the pandemic and remote lockdowns, Tarnanthi continues to be innovative, and in a first, throws…