Features
How stage designers transform the mundane into the extraordinary
For Malthouse Theatre’s immersive new production Because The Night, its designers have transformed the venue – even incorporating some of…
On gender, pay and public art
Emma Coulter and Hannah Quinlivan have recently completed major metro art projects. We caught up with them on the realities…
Exit interview: Marcus Westbury, Director, Collingwood Yards
The outgoing Director of Melbourne's newest arts precinct reflects on his time at the organisation, finds himself 'very, very happy'…
Celebrating 30 years of Varuna
Varuna alumni Dr Jackie Bailey writes about the many ways she loves the Australia's much-loved writers retreat, which turns 30…
NFT art: the bizarre world where burning a Banksy can make it more valuable
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Art is never finished, only abandoned
Can we ever call a work finished? Leonardo Da Vinci said no; rather, we just abandon. We speak with artists…
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
8 ways managers can use fiction to prepare for an uncertain reality
It’s a brave new business world, but turning to novelists can help managers explore possible future scenarios.
What should WA’s arts priorities be post-election?
Arts leaders from a range of companies offer their arts policy suggestions and ideas for whichever party next forms government…
Fireflies Press is a labour of love and cinephilia
Annabel Brady Brown talks about the birth of a new venture that brings together a global community of film lovers…