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Live from Berlin: first interview with 2024 Biennale of Sydney curators

Inti Guerrero and Cosmin CostinaÈ™ are placing joy as a mechanism for resistance and resilience at the heart of their…

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Music review: Meteor Orbit, Riverside Theatres

A musical event designed to coincide with the annual Perseid meteor shower.

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Theatre review: On the Beach, Roslyn Packer Theatre

The classic 1957 novel about a post-apocalyptic vision is granted a powerful theatrical adaptation.

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

A wall filled with colourful images in A5 size. Standing in front is a person with long brown hair and a brown jacket.
News

Incognito art sale where everything goes for $100

More than 3500 works are still up for grabs from the Incognito Art Show, with funds going to two studios…

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Theatre review: Jailbaby, Griffin Theatre

An unflinching look behind prison doors.

Pianist Aura Go, dressed as Chopin, is seated at the piano while actor Jennifer Vuletic, as composer Franz Liszt, stands behind.
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Performance review: Chopin’s Piano, QPAC Concert Hall

Musica Viva’s unique stage adaptation of Paul Kildea’s book on the composer Chopin, his preludes, and one fateful instrument.

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Theatre review: Miss Peony, Belvoir Theatre

A generational and intercultural clash is played out in the competitive flurry of a beauty pageant.

Features

Peers and portals

A triptych of vignettes about three of Sydney’s emerging oil painters and their voyages of identity.

Features

Why do Australians love Egyptian blockbusters ... still?

Why does an over 3000-year-old culture still pull audiences, and what is the lure of the Egyptian blockbuster for Australians?

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