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A small boy rides his dads shoulders at the Affordable Art Fair and points to a brightly coloured work that has caught his eye.
News

Affordable Art Fair expands in both Melbourne and Sydney

The fifth Affordable Art Fair returns to Melbourne with its largest celebration of art to date, while the Fair’s Sydney…

In an elaborate drawing room, three men and one woman have their arms up and mouths open in suprise. One man is lying on a chaise longue
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Theatre review: The Play That Goes Wrong, Drama Theatre, Sydney Opera House

On its 10th anniversary this play is as silly and entertaining as it was a decade ago.

Set in a red carriage room with two women seated in a table, a woman and a man standing..
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Theatre review: The Lady Vanishes, Genesian Theatre

This production is more faithful to the book than the Alfred Hitchcock version.

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Performances & Gigs

Willoughby Symphony Orchestra

Willoughby Symphony Orchestra: Ode To Joy

Experience Beethoven’s astonishing Ninth Symphony in the hands of the Willoughby Symphony Orchestra and Choir.

A large cast dressed as cats dancing on stage.
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Musical review: Cats, Theatre Royal Sydney

Anniversary production of an imaginary feline world.

News

AC/DC announces first Australian tour in a decade

Founded in Sydney in 1973, the legendary hard rock band returns to Australia for what may be their last tour.

street frontage of the Australian Design Centre, ADC
News

Australian Design Centre loses state and federal funding, faces uncertain future

‘Without core operational funding it is difficult to see how ADC can continue in its current form,’ the organisation warned.

Two women crouched down, wearing period costume. Their heads are touching.
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Theatre review: The Half-Life of Marie Curie, Ensemble Theatre

A play that explores the friendship of two women of science.

A man in black with his left arm outstretched.
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Performance review: The Lost Things, Sydney Opera House

Worlds away from spoon-bending and other simple tricks, Scott Silven’s new show is magic – but not as we know…

A fair-skinned woman with curly red hair looks quizzicaly at the camera, one eyebrow slightly raised and a playful expression on her face. She wears a formal black jacket over a light blue blouse, which is unbuttoned, giving her a somewhat devil-may-care attitude. This is Kerri Glasscock, the outgoing Director and CEO of Sydney Fringe Festival.
Features

What I learned from 12 years at Sydney Fringe Festival: Kerri Glasscock

As she leaves Sydney Fringe to take up the reins as Executive Director of Create NSW, Glasscock shares some of…

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