National
What cultural democracy has done for queer performance art
An increased number of performers in this year's Melbourne Fringe Festival identify as LGBTIQA+, something its Creative Director attributes to…
Desart’s Digital path through COVID continues to grow benefits for Aboriginal artists
Rethinking during the pandemic resulted in a 30% increase in engagement for Desart. Here’s how they are harnessing the momentum…
Book Review: Biting the Clouds by Fiona Foley (UQP)
Fiona Foley’s Biting the Clouds is exceptional.
New Centre for Truth Telling gives home to Stolen Generations
Curtin University launches campaign to create a Centre for Truth-Telling, and a permanent home for artworks created by Aboriginal children…
Exhibition Review: Streeton, Art Gallery of NSW
Curator Wayne Tunnicliffe finds the trigger points that connect audiences across time in this exhibition, from world conflict, pandemics to…
Decolonising Feminism: A First Nations perspective
Sending a strong signal, the National Gallery of Australia turned over its annual lecture to a panel of First Nations…
Book Review: Everything in its Right Place by Tobias McCorkell
This novels sheds light on a young unsheltered life.
SA budget 2020-2021 includes significant arts investment
$50M towards Adelaide's Aboriginal Art and Cultures Centre, $2.3 million for country theatres, and a purpose-built storage facility for the…
20x20: Facing the truth, ‘We remain a colonised country’
Commemorating 20 years of ArtsHub, we revisit this 2019 keynote speech by Worimi woman, curator Genevieve Grieves, which asks what…
ICYMI: the week's top news in the arts
From Melbourne venues reopening to mentorship opportunities, a report on NT women in music, Opera Australia returning to Uluru, and…