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Opinions & Analysis

What our galleries and museums collected in 2020, and why

We asked ten of our major collecting institutions nationally what they acquired in 2020, as a document of this incredible…

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The art prize gaining maximum exposure for women despite COVID's barriers

Entries for Ravenswood Australian Women’s Art Prize 2021 are now open with the virtual exhibition to stream again next year,…

News

NGV receives $20 million grant towards new contemporary gallery

The Ian Potter Foundation pledges the largest grant in its long history of philanthropy with $20 Million to spearhead the…

News

ICYMI: The week's top news in the arts

Outcomes from DESIGN Canberra and AGNSW annual reports; Powerhouse Parramatta pop-up; new commissions for NPG, ACMI and Fed Square; Myer…

Features

Local not global: major festivals celebrate the homegrown in 2021

What do international arts festivals do when Australia’s borders are still largely closed to international travellers? They draw on their…

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Celebrate the physicality of engaging with art in giant proportions

The 2020 NGV Triennial weaves its way into our memories as viewers – a kind of date stamp on this…

Features

Author Jane Harper watches The Dry turning into a film

The bestselling crime writer talks to Guy Davis about being on set as an extra and seeing her literary vision…

News

Applause: Latest funding and awards announced

$2.5 million distributed in Live Music Australia grants, Victorian Opera introduces new award, Carriageworks Clothing Store announces resident artists for…

Features

Has digital made the arts more accessible?

This year, we all pivoted to an online model but did it help the disabled community? At our recent Visions…

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Exhibition Review: Isolate Make and Design Isolate, ADC

Making art in the pandemic directly affects the work itself. This exhibition is both history and direct reflection of lived…

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