National
ARIs and the challenge of online existence during COVID
COVID caused cultural bodies around the world to turn digital, but for smaller orgs like ARIs, the change to online…
Music Review: ASO: Joyous Reminiscence – Symphony Series One
Reflection and recognition feature in the Adelaide Symphony Orchestra’s 2021 season.
Why painting en plein air is booming
COVID has seen a mini boom for en plein air painting as we all re-evaluate the great outdoors. We talk…
On the Move: Latest sector appointments and departures
Yirra Yaakin appoints Philanthropy and Partnerships Manager, new Executive Producer joins NORPA, and more.
How to establish an indie theatre company that endures
It’s inevitable that you’ll make some mistakes along the way, but if you’re considering creating a new indie theatre company,…
The 4 Rs: Exploring trauma-responsivity and self-care
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
Music Review: ACO: Tabula Rasa – Arvo Pärt and Shostakovich
A rich essay providing elegance, occasional moments of ebullience, and sublime, patient restraint.
Book Review: Catch Me If I Fall by Barry Jonsberg
Climate change and classism lurk beneath the surface of this middle grade novel about sibling loyalty.
Performance Review: Break the Cinnamon Branch
In this new digital series of performances, Sri Lankan born Jagath Dheerasekara presents recipes for dishes while challenging racist narratives.
New model disrupts programming at Carriageworks
Carriageworks hands over authorship of its public space to ARIs via the project NO SHOW, designed to rethink partnerships and…