Australia
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Music Review: Meow Meow’s Pandemonium, MSO
Meow Meow and the MSO join forces for a slapstick cabaret of mischief and Pandemonium.
Theatre Review: The Lifespan of a Fact
Melbourne Theatre Company plays fast and loose with fact and fiction.
Introducing new Music Tasmania CEO Keith Deverell
Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…
ICYMI: The week's top news in the arts
Jenny Holtzer for RISING; Brisbane Comedy Festival announces program; Ancient Greeks come to WA Museum, and Hannah Gadsby announces national…
Theatre that challenges ideas of Muslim Australian identity
When playwright Lur Alghurabi and ActNow’s CEO Yasmin Gurreeboo didn’t see Muslim Australians on stages, they created their own production.
Melbourne Fringe receives $1M budget windfall as Sydney Fringe announces new initiatives
Fringe Festivals in Australia’s two largest cities are preparing for a return to physical presentation of work as they announce…
Six arts organisations faced with devastating funding cuts by local council
Six arts and cultural organisations including Australian Tapestry Workshop and Red Stitch Actors Theatre face losing $30,000 a year if…
ArtsHub speaks with $100,000 Ramsay Art Prize winner, Kate Bohunnis
South Australian artist Kate Bohunnis has won the Ramsay with a kinetic sculpture that explores the oscillation between function and…
Screen study that prepares you for a changing industry
As her field expands rapidly, multimedia producer Sarah Hill has used her AFTRS qualification as a tool to create her…