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How festivals are coming out of COVID

After 2020’s postponements, festivals are back with a renewed focus on the local, exciting audiences across the nation.

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Theatre Review: A Room of One’s Own, Belvoir

Belvoir’s production of Virginia Woolf’s classic polemic on women in literature is a sophisticated and stimulating exploration of the role…

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Theatre Review: The Pitts, Athenaeum Theatre

The energy pumped out from the stage by these two performers was frenetic enough to power Broadway if channelled properly.

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Theatre Review: The Wedding Singer, Athenaeum Theatre

This production is pure joy and will have you grinning from ear to ear.

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Staging COVID-safe arts events outdoors

Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…

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Inspiration during isolation: The long-term benefits of artist residencies

From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…

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Lure of community brings MTC’s next Artistic Director back to Melbourne

Anne-Louise Sarks came of age artistically in Melbourne, and is excited about championing the city's artists and playwrights in her…

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Theatre Review: Fun Home, Sydney Theatre Company

Based on Alison Bechdel's graphic novel, this musical is a visually inventive and emotionally rich night at the theatre.

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Theatre review: Berlin, MTC

Joanna Murray-Smith’s latest play is a high-brow blockbuster that asks provocative questions about what it means to love a culture…

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Harmonisation, complexity and change: exploring the National Performing Arts Touring Scan

Previous reports into the national touring ecology released in 2005 and 2011 effectively came to naught, so what makes the…

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