Performing Arts
Cracking the US market: Art Money’s Paul Becker on changing the culture of collecting
An Australian art business takes on the toughest art market in the world – and it’s making waves.
Review: Amphibian, Space Theatre Adelaide Festival Centre
Amphibian is a tantalising schools show, a considered, collaborative work from Adelaide’s Windmill Theatre Company that seeks to broach topics…
6 writing techniques to engage your online audience
A common problem faced by creatives is whether their online message cuts through to the intended audience. We asked a…
Review: Ich Nibber Dibber, Malthouse Theatre
Funny, funny feminism from post theatre.
Review: QSO and Tamara Anna-Cislowska, QPAC
QSO's latest brings Beethoven's 7th, Prokofiev, and a premiere from Elena Kats-Chernin.
Review: Dracula, West Australian Ballet
From scenes of horror and violence to exquisitely tender moments, Dracula the ballet is a triumph.
On the move: the latest appointments and resignations
New CEO for Adelaide Central School of Art, TSO announce new Chief Conductor, Chamber of Arts and Culture WA appoints…
Truly a Powerhouse: Brisbane focus helps set new records
By focusing on the ‘Brisbane’ in Brisbane Powerhouse, the unique arts centre has smashed records in ticket sales, attendances and…
Review: Blasted, Merlyn Theatre
A primal scream from the depths of hell in the face of our complacency.
Jan Müller on how a sound and film archive can be relevant
A year in, ArtsHub speaks with the National Sound and Film Archive’s new CEO on how exhibitions and digitisation are…