Performing Arts
Roadies in crisis: industry operating at just 4% pre-COVID levels
Over 20,000 live production crew, aka roadies, found themselves out of work a year ago when mass gatherings were banned.…
Theatre Review: The Producers, Brisbane Powerhouse
One of Broadway’s funniest and most outrageous musicals is given star treatment at the Brisbane Powerhouse.
Music Review: Diana Doherty and Streeton Trio
The old, the new, the obscure and the odd.
Opera Review: Lorelei, Opera Queensland
Opera Queensland's Lorelei is an intoxicating mix of musical, opera, cabaret and burlesque.
On the Move: Women in power appointments and departures
First Nations women appointed to key roles at both Melbourne Symphony Orchestra and Australian Museum, new company artist joins Australasian…
Theatre Review: Medea (Adelaide Festival)
A livestreamed theatre production from Amsterdam that refreshes the ancient story.
Dance Review: Structural Dependency by Brooke Leeder (Perth Festival)
An industrial, abstract dance work surprises with its intimate human touch.
Theatre Review: Black Brass by Mararo Wangai (Perth Festival)
An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.
Opinion: The Greens' plans for the arts in WA
The continual underfunding of the arts does more than deprive arts workers of pay and job security. It deprives our…
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…