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Book Review: Where We Begin by Christie Nieman
Christie Nieman’s second YA novel speaks of merged polarities, rewritten histories, and the double-edged sword of family legacy.
Applause: latest funding and awards announcements
Composer and sound artist Ros Bandt honoured, Four WA regional artists receive $50K, Salote Tawale wins Mosman Art Prize, plus…
Book Review: 'Revenge: Murder in Three Parts' by S.L. Lim
In 'Revenge: A Murder in Three Parts,' Lim vividly evokes the complex way domestic abuse can be so damaging to…
Is your international career a threat or a win?
With a top drawer international career for over a decade, Sophie O’Brien takes on the position as Bundanon Trust’s Head…
How to put on a festival from the comfort of your home
Agility, adaptability and upskilling are all part of the process, but gifs are important too. Lessons learned from Melbourne Fringe's…
Chasing philanthropy, inspiring volunteers and supporting the arts in our latest podcast
In the latest ArtsHubbub we look at the ways in which giving is supported in the arts. We speak with…
‘It gets harder’: Tim Winton on writing (From the Archives)
The author of Cloudstreet offers insights into the writing life and reflects on the differences between writing for the page…
In the work-from-home battle for space, women are the reluctant nomads
US author and academic Elizabeth Patton takes a look at the social history of the home office, to better understand…
Theatre review: Welcome to the Masque by Riverside Theatres Digital
In this scary era of the rampant COVID-19, a live theatre performance like Welcome to the Masque was a rare…
On the Move: Latest sector appointments and departures
NGA announces curator for 4th National Indigenous Art Triennial, Ausdance Victoria welcomes new board member, UNSW Dean of Art &…