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Data Dreams: Art and AIÂ review: exploring artist-AI collaborations
Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…
Cowbois review: no guns, no politics ... no purpose?Â
A blissful first act followed by a long downhill mosey, Cowbois fails to live up to its own publicity.
One Night Only review: form-melting theatre that scoops us up
One Night Only, a new collaboration from Rawcus, presented by Darebin Arts Speakeasy, soars and swoops through time and place.
Parrtjima Festival 2026: get ready for ten stunning days in the heart of Australia
Parrtjima has become one of the most significant events in the Northern Territory – and the 2026 iteration looks to…
Massive year for Art Gallery of SA, as it announces its 2026 program
From staging its first international winter blockbuster to the much-loved Adelaide Biennale of Australian art, AGSA's 2026 program is full…
An arts guide to dealing with the media like a pro
For arts organisations and artists, media interviews can be a steep learning curve. This media veteran's guide unpacks everything you…
The Dingo’s Noctuary: Judith Nangala Crispin's ArtsHub interview Â
Judith Nangala Crispin's latest book contains life, death and everything in between. She talks to ArtsHub.
Sturt Gallery & Studios has become an independent entity, assuring its future
After a prolonged closure for review, Sturt Gallery & Studios is geared to reopen in 2026 as a new entity.
Chanel Tobler at Nasha Gallery: 'Colour can be a form of medicine'
Emerging artist Chanel Tobler moves fluidly between mediums in this solo exhibition at Sydney's Nasha Gallery.
What Australia can learn from renowned Native American artist Jeffrey Gibson
Internationally regarded artist Jeffrey Gibson was in Australia recently to deliver the keynote annual lecture at the National Gallery of…