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Dragon I review: one man and an AI assistant at Perth Festival
In Dragon I, Adam Kelly tries to deliver a comedic lecture on dragons... until AI gets in the way.
Sydney Fringe 2026: Australia’s fastest-growing indie arts festival wants your show!
Got an idea for a show? Sydney Fringe can help you put it in the spotlight – and creatives across…
Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe
Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…
‘All voices should be heard’, Pulp's Jarvis Cocker tells Adelaide Festival crowd
Cocker's pointed reference to an earlier censorship issue was made as Pulp played the opening night of Adelaide Festival 2026.
Best opportunities, grants & awards for creatives: 2–7 March 2026
This week: growth opportunities for emerging classical musicians, dancers, visual artists, and more.
ADT’s Faraway review: a writhing, driving techno-primitive delight at Adelaide Festival 2026
Choreographed by Jenni Large, ADT’s Faraway is a rich, erotically charged work, the dance equivalent of howling orgiastically at the…
Upside-Down Garden by Jumaadi turns corporate Sydney on its head
The first large-scale public artwork from Indonesian-Australian artist Jumaadi flips the city’s built and natural environment upside-down.
Yield Strength: Adelaide Biennial review: grunge rupture and eloquent overlays
Yield Strength: Adelaide Biennial is a bold exhibition that challenges the institution, expectation and materiality in our times.
The Cherry Orchard review: a Korean take on Chekhov at Adelaide Festival
Australian expat Simon Stone returned to Adelaide with an adaptation of Chekhov’s final play, The Cherry Orchard, set in contemporary…
Star Scum City review: 2charm’s debut album is an electropop ode to summer
Melbourne’s 2charm delivers a sultry, bold and queered vision of summer love.