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'Nina Sanadze', installation view at The Ian Potter Centre: NGV Australia'. Photo: ArtsHub. In a gallery space with grey walls and tiled floors there are several large installations, including anti-terror barriers that appear like concrete spheres and rectangular blocks, scatters of monuments and sculptures.
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Exhibition review: Nina Sanadze, The Ian Potter Centre: NGV Australia

A succinct but multilayered survey of an artist who challenges history and perception.

‘Melbourne Out Loud: Life through the lens of Rennie Ellis’ installation view at State Library Victoria. Photo: ArtsHub. A large double-channel video screen in a dim gallery space showing two photographic images. The one on the left is of an elderly man sitting beneath the sun topless, and the right is of a figure wearing a green floral dress with a hat covering the head, lying on the sand.
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Exhibition review: Melbourne Out Loud: Life through the lens of Rennie Ellis, State Library Victoria

A photography exhibition that transports a slice of life from the 70s and 80s to State Library Victoria.

Installation view, 'Dawn Ng: Avalanche', Institute of Modern Art, Brisbane, 2024. Image: Courtesy of the artist and Sullivan+Strumpf. Photo: Carl Warner. A video still against a black background that depicts a ice block coloured in different shades and melting.
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Exhibition review: Dawn Ng: Avalanche, Institute of Modern Art

A single-channel video that can evoke different emotions and interpretations.

Installation view of ‘Telly Tuita: Tongpop’s Great Expectations’ at Campbelltown Arts Centre. Photo: Jodie Barker. Installation and photography works inside a spacious gallery with sky blue walls.
Features

Self-representation and cultural references in the work of Telly Tuita

Telly Tuita’s solo exhibition signifies a full-circle moment.

Photo: Jill Kerswill. Left: Photo of Melanie Saward, a woman with light skin and bright pink hair sitting with her hand across her lap, wearing a floral pink dress. In the background is a shelf filled with books. Right: Cover of 'Burn', depicting a shadow of a boy standing against a large flame.
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Book review: Burn, Melanie Saward

A powerful debut fiction that reveals unsettling answers to 'Why are good kids misbehaving?'.

‘John Nixon—Four Decades, Five Hundred Prints’ installation view at Geelong Gallery. Photo: ArtsHub. Exhibition space with white wall and timber floor, filled with prints and works on paper displayed on wooden tables.
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Exhibition review: John Nixon – Four Decades, Five Hundred Prints, Geelong Gallery

An expansive collection of prints by John Nixon reveals his philosophy about blurring the boundaries between art and life.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
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Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

projected imagery around a venue recreating a circus like environment.
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Immersive performance review: Dream Circus, Luna Park

Luna Park's immersive experience is a great idea, but a $15 million dud for Sydney.

ArtsHub editors Thuy On and Richard Watts presenting the Crafting Insightful Criticism workshop at The Channel, Arts Centre Melbourne. Photo: ArtsHub. Two figures sit on stage beside a small coffee table with purple lighting. The figure on the left has black long hair and wearing a black dress with stockings and ankle boots. The figure on the right has grey short hair and a mid-length beard, wearing a black shirt, black pants and converse sneakers.
Features

ArtsHub writing workshop 1: Crafting insightful criticism

Performing Arts Editor, Richard Watts, and our Reviews Editor, Thuy On share their tips and examples on what makes a…

'ARA DOLATIAN: Heavenly Bodies' installation view at James Makin Gallery. Photo: Ivana Smiljanic. Three small sculptures on plinths inside a white gallery space. Each sculpture is gold and blue with towering shapes.
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Exhibition review: Heavenly Bodies, James Makin Gallery

The ceramicist turns our attention to the vibrancy of ancient artefacts and repositions them in our contemporary context.

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