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A male acrobat performs the splits, his body held aloft by aerial straps, in a scene from 'La Clique' at Adelaide Cabaret Festival.
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Performance review: La Clique, Adelaide Cabaret Festival

Award-winning phenomenon La Clique celebrates its 20th anniversary at the Adelaide Cabaret Festival.

Members of the community choir rehearse for 'The Palace'. an artistic commemoration of the 25th anniversary of the Childers, Qld Backpackers' fire of 2000. Pictured are a group of 13 people, ranging in age from seniors to people in their 30s, rehearsing a song in a country hall meeting room.
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New song cycle commemorates 25th anniversary of the Childers Backpackers Hostel fire

‘The Palace’, a collaboration between the community of Childers, Queensland music ensemble Topology and writer/director Rod Ainsworth, has its world…

A kid looking at a tank full of jelly fish. The tank is lit up with indigo light.
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Arts news watch: this week’s trending topics

We report it – you read it. This week: pub quiz literary questions, King’s Birthday Honours List, choosing a career…

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Performance review: The Act, RISING, Chunky Move Studios

A movement/theatre hybrid delving into the parallels and disconnections between dance and sex work.

Features

The art of intimacy: how cabaret artists connect with you from the stage

Adelaide Cabaret Festival artists share their stories of fostering connection with audiences and breaking down the fourth wall on even…

A man in a white T shirt and jeans and a woman in a lilac jacket stand on stage with drinks
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Theatre review: Heartbreak Hotel, RISING, The Showroom Arts Centre Melbourne

'You'll be so lonely, baby...' New Zealand's EBKM brings a show about heartbreak to this year's RISING.

13 brightly coloured inflatable loops arch over a Brisbane Bridge. The photo is taken from above, showing the muddy river beneath and some of the city skyline.
Features

'A love letter to Brisbane': Louise Bezzina’s 2025 Brisbane Festival program revealed

For her sixth and final Brisbane Festival, Bezzina’s program is “bold, joyful, and created with and for the city”.

A concert scene with the band covered in green and purple light.
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Music review: Japanese Breakfast, RISING, Port Melbourne Industrial Centre for the Arts

Michelle Zauner was pure magic. This felt like Japanese Breakfast at its fullest, most actualised form.

Joe Paradise Lui, a Chinese-Australian man with long red-streaked back hair and wearing glasses, stands with his hands raised in front of a representation of Guanyin, the Chinese bodhisattva or goddess of Mercy and Compassion, who is played by the Chinese-Australian actor and theatre-maker Merlynn Tong. She has short black hair and sits with her hands raised, in a blue prop representing Guanyin and her many arms and hands.
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Theatre review: Legends (of the Golden Arches), RISING, The Lawler, Southbank Theatre

A wry, witty and self-aware theatrical journey through Chinese Hell, presented by the MTC for RISING.

A close-up short of three dangers in the spotlighting squatting low and walking with their hands in a fist held up to their heads, covering their face.
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Dance review: BLKDOG, RISING, Playhouse

British choreographer Botis Seva‘s story of violence and salvation is an expressive masterpiece.

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