The art of intimacy: how cabaret artists connect with you from the stage

Adelaide Cabaret Festival artists share their stories of fostering connection with audiences and breaking down the fourth wall on even the largest stages.

In many ways, cabaret is the most intimate of art forms. Even when they’re performing in large theatres and concert halls, the best cabaret artists successfully craft a sense of connection between themselves and you, the audience, which not only breaks the fourth wall but demolishes it completely – all with a song and a smile.

Trevor Jones (Dr Trevor Jones – Piano Man, 12-15 June, 19-21 June, Quartet Bar, Adelaide Festival Centre): “For me, cabaret is all about intimacy and, more importantly, connection. It’s what separates cabaret from theatre – the audience feel a part of it and they are experiencing an artist being honest, authentic and vulnerable – and ideally opening themselves up to the same honesty and authenticity. Cabaret should feel like a safe space for everyone and the performer and the environment create that. Of course, that intimacy takes a huge range of forms – whether it be drinking and singing along with strangers in a late night piano bar, being swept up in the joy of a disco medley with feathers and sequins, or being moved to tears by a vulnerable story. That’s what cabaret is, so the intimacy is essential to the art form.”

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Richard Watts OAM is ArtsHub's former National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the 2019 Sidney Myer Performing Arts Awards' Facilitator's Prize in early 2020. He received a Lifetime Achievement Award from the Green Room Awards Association in 2021, and a Medal of the Order of Australia (OAM) in June 2024. Photo: Fiona Hamilton. Follow Richard on Bluesky @richardthewatts.bsky.social and Instagram @richard.l.watts