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Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
Features

(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Check out the breadth of ideas and topics covered by Amplify Collective writers. Photo: Mike Bird. Colourful plastic cubes are arranged on a table with round colours of light in the foreground.
Aggregations

Amplify Collective stories all-in-one

Stories from ArtsHub's Amplify Collective organised by topic and location for easy navigation – check out the amazing work by…

Women & Children. Image is on the left a grey haired man in a white t-shirt and on the right a book cover with a woman in a hat and coat, 1960s style, standing next to a young girl in a confirmation outfit.
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Book review: Women & Children, Tony Birch

Tony Birch's latest novel canvasses violence, race and religion.

First Nations. Image is three coloured hands picking at a multicoloured sphere
Opinions & Analysis

Calls for a major First Nations arts body

There must be serious efforts to convene a major First Nations arts body so that we are all held to…

The future of the sector relies on navigating existing challenges. Image: Shutterstock.
Opinions & Analysis

The state of Indigenous art organisations in Gimuy/Cairns

The Indigenous art sector is facing a number of challenges, especially when skills development and skilled Indigenous personnel are at…

Still from the film ‘Marungka Tjalatjunu (Dipped In Black)’ by Derik Lynch and Matthew Thorne, showing as part of Queer PHOTO. Image: Courtesy of the artists. A figure wearing a gold dress with long hair, standing against a purple and orange sunset in a desert landscape.
Features

Through the queer lens

Midsumma Festival and PHOTO 2024 join forces to present 'Queer PHOTO', with works that are bold, reflective, tender, intimate and…

Australia has a black history. Image is a photograph of a group of black clad protesters in the streets of Sydney. A young woman with braided hair, a Black Lives Matter t shirt and a placard is in the centre.
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Exhibition review: Barbara McGrady, Australia Has a Black History, University of Sydney

A photography exhibition that highlights 30 years of Indigenous history on Gadigal country.

Photo: Jill Kerswill. Left: Photo of Melanie Saward, a woman with light skin and bright pink hair sitting with her hand across her lap, wearing a floral pink dress. In the background is a shelf filled with books. Right: Cover of 'Burn', depicting a shadow of a boy standing against a large flame.
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Book review: Burn, Melanie Saward

A powerful debut fiction that reveals unsettling answers to 'Why are good kids misbehaving?'.

Colonial. Photo: Jill Burrow via Pexels. Green ink dropped into a clear glass of water.
Opinions & Analysis

On nature painting and colonial narratives

The opportunities for cross-cultural responses to Country are still awkward spaces for artists and galleries to venture into.

Young writers from Story Factory programs benefit in Create NSW’s Arts and Cultural Funding Program (ACFP). Photo: Aamina Musthafa. Three figures stand with a book in hand smiling towards the viewer with a green lawn behind them. The women on the left is wearing a black hijab and black long sleeve dress. The figure in the middle has black long hair and brown skin, wearing a black cardigan and light jeans. The figure on the right has light skin and dark brown long hair, wearing a white t shirt and jeans.
News

$9.3 million in funding ensures employment of 10,000 NSW creative workers

138 creative and culture projects and programs share in funding for 2023/24, ArtsHub breaks down the stats.

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