Search News

See all news

Exhibition

2024 FUSE Glass Prize, installation view at JamFactory Adelaide. Photo: Connor Patterson. A gallery space with black walls and timbre floor where a series of innovative glass objects are placed on several narrow tables. A large red neon work is installed on a wall to the right.
Features

The nuances of curating for craft

Curators spinning familiarity into curiosity through different approaches to working with craft objects and exhibitions.

The portrait, among two other works of Gina Rinehart, are reproduced in Vincent Namatjira's monograph. Image: Supplied, courtesy Thames & Hudson.
News

Gina Rinehart pressures NGA to remove portrait by Vincent Namatjira – now the whole net is searching for it

The work was previously shown in 'Vincent Namatjira: Australia in colour' at AGSA, with the current exhibition set to run…

Installation view of ‘The same crowd never gathers twice’, Buxton Contemporary, the University of Melbourne, 2024. Featuring Cate Consandine, ‘RINGER’, 2024. Image: Courtesy of the artist and Sarah Scout Presents. Photo: Christian Capurro. Three channel video showing roller derby players in a blue and purple hue.
StarsStarsStarsStarsStars

Exhibition review: The same crowd never gathers twice, Buxton Contemporary

Five installations and video works with keen spatial awareness, but where is “the crowd”?

'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
StarsStarsStarsStarsStars

Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

Mandy Martin, ‘Adelaide Railway Station 2 (detail)’, 1973, screenprint, ink on paper, Ann Newmarch Collection. Image: © the Estate of the artist. A vintage coloured photograph showing three woman in farmer wear walking in a field. Two others are leisurely seated at the back.
News

If you don’t fight … you lose

The latest exhibition at FUMA spotlights the overlooked contributions of Adelaide’s Progressive Art Movement and the history of student protests.

Taipei Dangdai, Evoke sector. Anne Samat, ‘Never Walk In Anyone's Shadow,’ 2023, Rattan sticks, kitchen and garden utensils, beads, ceramic, metal and plastic ornaments. Photo: Brian Holcombe. Image: Courtesy of the artist and MARC STRAUS. A large colourful installation that appears like a folk monument against a grey background.
Features

Strengthening regional connections through Taipei Dangdai

Taipei Dangdai art fair will present its fifth edition in May with two Australian galleries travelling to the Taiwan capital.

‘The Hong Kong Jockey Club Series: Dwelling in Tranquility – Reinventing Traditional Gardens’, installation view at Hong Kong Palace Museum. Photo: Pak Chai. A woman sits in a spacious gallery space with a traditional Chinese architectural structure forming a shelter overhead. Windows of different patterns are illuminated on the surrounding walls.
Features

Dodged the travel blitz? Here are 6 places to visit in Hong Kong post-Basel

Six places to add to your travel itinerary in Hong Kong, plus a selection of local and international galleries for…

Jessica Nothdurft, 'The Cage', 2023, bronze, cotton and human hair. Installation view in 'Silly Girl' at artisan. Photo: ArtsHub. A small bronze figure with a blue striped dress, no facial expressions and long hair trapped inside a small bronze square cage.
Features

Artist hopes to generate awareness and 'release emotions' this Domestic and Family Violence Prevention Month

Artist Jessica Nothdurft shares her experiences and emotions in an endeavour to generate greater awareness of domestic violence.

Hands of First Nations person holding charcoal against background of tree. Yarrabah
Sponsored

Charcoal exhibition united through art-making

Charcoal symbolises renewal, and a new exhibition explores the medium for Reconciliation Week.

AGNSW Time-based Art Conservator, Lisa Mansfield. Photo: Supplied. A middle-aged figure with a curly pixie cut, bright smile, wearing a black shirt and white dots, rendered in black and white against a dark blue solid colour background. The text ‘so you want my arts job?’ is in bold white font to their left.
Career Advice

So you want my arts job: Time-Based Art Conservator

AGNSW Time-Based Art Conservator, Lisa Mansfield, shares how they embarked on this career, its most exciting aspects and why digital…

1 21 22 23 24 25 71