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J Davies, All at Once, 2026. Two-channel digital video, colour, stereo, 33 min 52 sec. Installation view, All the World’s Memories, UNSW Galleries, Sydney. Photo: Jacquie Manning.
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All the World’s Memories review: an exhibition that's impossible to forget

All the World’s Memories is a fantastic exhibition at UNSW Galleries that celebrates the value of our collective and personal…

Melbourne Art Fair 2025. Photo: Supplied.
Features

Melbourne Art Fair designs a new future

After coming back from near failure in 2016, Melbourne Art Fair is now rebranding for a more hybrid future. But…

Sydney Mardi Gras 2026 highlights
Features

Sydney Mardi Gras 2026: culture highlights for artsy queers

Don't let all the drama rain on your parade – here are our 12 top picks for Sydney's annual LGBTQIA+…

Fremantle Biennale 2025: a large smokey empty room with 7 large black square shaped speakers suspended from the room while three young people are sitting on the floor looking at them.
Features

5 powerful highlights from this year’s Fremantle Biennale

The 2025 Fremantle Biennale brought to life over 25 ambitious, site-responsive artworks. Here are the five that stood out from…

Judith Nangala Crispin, the author and poet behind The Dingo's Noctuary. Photo: Supplied.
Interviews

The Dingo’s Noctuary: Judith Nangala Crispin's ArtsHub interview  

Judith Nangala Crispin's latest book contains life, death and everything in between. She talks to ArtsHub.

Installation view of Chanel Tobler's Dissolving a Marrow Economy at Nasha Gallery, Sydney. Photo: Hamish McIntosh / Nasha Gallery.
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Chanel Tobler at Nasha Gallery: 'Colour can be a form of medicine'

Emerging artist Chanel Tobler moves fluidly between mediums in this solo exhibition at Sydney's Nasha Gallery.

Jeffrey Gibson. Indigenous man in denim shirt and black cap in front of colorful painting.
Features

What Australia can learn from renowned Native American artist Jeffrey Gibson

Internationally regarded artist Jeffrey Gibson was in Australia recently to deliver the keynote annual lecture at the National Gallery of…

Gallery view of a video installation of televisions screens in an orb and paintings in background. AI art
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Christopher Kulendran Thomas review: rethinking safe zones through AI

In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…

Steven Schick. Image supplied.
Opinions & Analysis

Art shouldn't make us afraid: my three principles for healthy artmaking

Percussionist, composer and author Steven Schick makes a case for optimism in art ahead of his upcoming Australian residency.

How – and should – we separate the art from the artist? Image: Angel Sanchez on Unsplash.
Features

Separate the art from the artist? It’s not nearly that simple

A few questions you can ask to help you navigate the perennial moral dilemma: can we separate the art from…

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