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Adelaide Festival

Performing arts festivals: A four cornered open stage set piece that looks like a room with no walls, on a stage with three female performers seated on lounge chairs within this set piece. They are sitting beneath a large video projector screen which is showing the face of a young woman. Three videographers are surrounding the stage filming this work as it is performed.
Features

10-year look back at major performing arts festivals shows some things haven’t changed

As some prominent performing arts festivals wrap up their programs for another year, we take a reflective look back on…

The audience assembles for another Adelaide Festival performance.
News

Adelaide Festival and Adelaide Fringe celebrate big numbers as Mad March wraps up

A six-figure surplus is projected for Adelaide Festival, while Adelaide Fringe expects to sell a million tickets for the third…

A man is walking towards a woman. He's dressed in a black suit with a white shirt. She has her eyes closed and is wearing a cream dress.
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Performance reviews: Café Müller and Club Amour, Adelaide Festival

A triple bill dance performance that dealt with memory and repetition.

Trio Da Kali played as part of Chamber Landscapes 2025 'Horizon' and 'Dialogue in Sound' at Adelaide Festival 2025.
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Music reviews: Horizons Chamber Landscapes 2025 and Dialogues in Sound, Adelaide Festival 2025

A concert that offered hope for the world and a rousing musical statement in a gilded Victorian concert hall.

L-R: Soprano Claire de Sévigné and clarinettist Lloyd Van’t Hoff made beautiful music together at Adelaide Festival 2025.
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Music review: Daylight Express, Elder Hall, Adelaide Festival 2025

Six exquisitely fashioned gems as part of a two-week series of lunchtime recitals at Elder Hall, The University of Adelaide.

A man in drag on stage. There is a band behind him.
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Performance reviews: Hedwig and the Angry Inch and Camille O’Sullivan: Loveletter, Adelaide Festival

Two Adelaide Festival shows look to the past, but with varying degrees of success.

A scene from Forced Entertainment's 'Complete Works: Table Top Shakespeare' at Adelaide Festival 2025.
Features

If all the world’s a stage, why can’t the stage be a Shakespearean table top?

Forced Entertainment’s Tim Etchells describes the inspiration for and the development of the company’s ‘Complete Works: Table Top Shakespeare’.

A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

Rocío Molina, a dancing wearing a big ruffly pale blue dress. She is lying on the grown with her legs in the air that are covered by the flounces of the dress.
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Dance review: Caída del Cielo (Fallen from Heaven), Her Majesty's Theatre, Adelaide Festival

Flamenco dance and theatre about the agony and ecstasy of womanhood.

Sebastian Geilings, Yilin Kong and Patrick O'Luanaigh from ADT's 'A Quiet Language'.
Features

Turning 60 in style: Australian Dance Theatre leaps from the stage to the gallery wall

AD Daniel Riley describes the birth of ADT and an accompanying exhibition documenting the company’s six decades of dance-making.

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