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What does a disability-led audition process look like?
With an ensemble call-out and funding for new work, Sprung Dance Theatre is building upon existing disability-led frameworks to expand…
Hate transmuted into theatrical gold in new staged reading of The Laramie Project
A Sydney reading of the verbatim play about Matthew Shepard’s murder will feature Shepard’s father, Dennis, reading his courtroom statement.
Hairy Potter – selling a show when the author is persona non grata
While the creator of the Potter-verse may no longer be everyone's favourite multimillionaire, there are still plenty in the sector…
In conversation: Gail Mabo on curating and legacy
Dancer cum choreographer cum artist, Gail Mabo turns her hand to curating as a way to share culture.
'It's an Australian play': how a new CALD theatre company is turning the tables on diversity
‘Akaraka’ and Empty Seat Theatre are built by creatives who hope to lead change by example, one show at a…
Adelaide Festival midpoint round-up
Adelaide Festival is in full swing. What were the standout elements for a first time visitor mid-festival?
Perth Festival midpoint round-up
Halfway through Iain Grandage's fifth and final Perth Festival and there's plenty of entertainment and provocation to enjoy. Even for…
Exit interview: Peter Kift, Yirra Yaakin Theatre Company
The company’s long-serving General Manager, who stepped down from his role in mid-December, reflects on the triumphs, challenges and future…
A cubicle of one’s own
A one-woman show set in a bathroom and detailing trans experiences that goes from being vulnerable to fiercely unapologetic.
How Bluey made the move from animation to stage
ArtsHub speaks with 'Bluey's Big Play' puppetry director Jacob Williams and performer Jess Golle on translating from screen to stage…